"One of the exciting things about collage is its primary use of discarded paper media which ultimately keeps it in motion, constantly changing like a chameleon. A quick look at the diversity of styles, concepts and technique found in contemporary collage proves it’s moved well beyond simply cut paper and glue.
I suspect many artists find it alluring for not only its immediacy but its unique and inherent nature to reinvent the familiar into something mysteriously new. Collage also has a long history of integrating itself in to political and cultural movements so it seems natural there’s a collage revival happening in these uncertain times."
— from an interview with "All That Remains" exhibition curator Charles Wilkin, posted to the Hyperallergic blog by Hrag Vartanian.
I couldn't agree more with the thoughts expressed in the interview. Opportunities to look at collage are increasing in galleries, museums -- and wonderfully, also online.
Collage works from the "All That Remains" show are available for viewing here. The exhibition is an international one, curated by Wilkin, and on view at Picture Farm in Brooklyn, New York through November 19, 2011.
To peruse even more collage, consider visiting the 27th Annual National Collage Society exhibition site, viewable online here. (I have one in there somewhere...)
Image above, included for its chameleon-like coloration, is: "Composure," collage on paper, 10 x 8." © 2001, Janice McDonald.
