High altitude art

I had a lovely drive up to Breckenridge, Colorado last week to drop off work for another show with the To Expand group, this time at Teal Gallery. The roads were dry and the mountain vistas were spectacularly snowy. I love how the shadows move, change and define the planes under the all white surfaces of the snow.Finally I was able to go over to Beaver Run and see my collage project, in person. (Thanks to the snowboard gal who took a moment away from the slopes to snap my photo!) It is installed in a two story portion of the lobby so I enjoyed the views from above and below but wasn't wildly successful in getting a better photo of it in situ... It really could use some additional lighting. Still, I'm thrilled to have it there!The day was so warm, and the area so protected at the bottom of the ski runs, that I settled in at a sunny picnic table to eat my sack lunch outside and people-watch... a nice little field trip.The artists' reception at Teal Gallery is this Saturday, January 19th from 5-8 pm. If you are in the vicinity, please come by and say hi! The show will runs through February 7th, 211 N. Main Street, M-F, 10-5 and Saturdays 10:30 - 6.

Recapping... "To EXPAND" at the Madden Museum

Stretching out in the studio, September 2012.I spent a good portion of my studio time this year experimenting with how I could make bigger work after I was asked to participate in an exhibition at the Madden Museum. Six artists met with director Hillary Reed, toured and considered the venue, then decided that we all needed to respond in some way to the very expansive space with our artwork for this exhibition... and preparations for "To Expand" were set in motion.Because I use so many magazines to supply color ingredients, my collages have always reflected that source material and tended to be more intimate in scale. For this exhibition, I wanted to work with some larger papers. Included in the new collages are pieces ripped from shopping bags, from large papers I painted, and from make-ready press sheets set aside by a friend at a printing company. For the first time I also painted color on my supports and worked into that with my paper compositions.It was a stretch, literally! I'm so glad I pushed myself because I have new confidence in my ability to produce original work in sizes appropriate for corporate or public spaces. I've already realized that I can do small pieces and enlarge them through digital technology and now I know what it takes to do original work at a large scale. It's been a big year :)Above: A portion of my work at the Madden Museum, November 2012.So the exhibition included the largest collages I've created to date, some 80" in height! It was a bit of a whirlwind when our show date moved forward, but it all came together and the work of all six of us was amazingly cohesive with lovely unexpected relationships in color and composition. It was great working with painters Ken Elliott and Karen Scharer; encaustic artist Victoria Eubanks; fabric artist Carol Ann Waugh; and sculptor Mary Williams. The "To Expand" group will also show together at the Teal Gallery in Breckenridge, Colorado in January.Above: This view shows less than half the museum space... my work in center, rear.Above: The artists' reception, October 2012. Thanks to all who came out! 

Related articles

The Madden Museum Features Six Ecclectic Denver Artists

El Anatsui: inspiration and exhibition in Denver

I've been inspired by El Anatsui since I first glimpsed his huge recycled tapestry-like work at the Indianapolis Museum of Art in 2008... I even wrote a blog post about it way back then!

So I've been looking forward to his retrospective show at the Denver Art Museum, "When I Last Wrote to You about Africa."

He gave a talk, more like an interview, in advance of the opening last week, as part of the Logan Lecture series. I was particularly interested in his discussion of using humble elements, brought together in a monumental way, to create a meaningful work of art. Beauty, he feels, is just a by-product of his work. (Detail of one of the works on view in Denver at left)

He said working with what your environment produces has always been a guiding thought in his artistic practice. As a collagist, I could totally relate to his sensibilities. 

In working with found objects, he acknowledges that the media comes with its own history/meaning. He believes that because the objects have been touched by a person, there is a "psychic charge" within the artwork that ultimately helps other people relate to the piece.

He also spoke about the flexibility of the hanging pieces and the importance of involving other people in his work to determine how they should be hung/placed -- so it is different in every installation. He said art is like a reflection of life, always in a state of flux, and he embraces that philosophy throughout his practice.

When I arrived at the exhibition on Saturday, I was surprised that he was in the galleries responding to questions about the work. It was great to meet him and be able to tell him how much I've enjoyed his work. What a creative spirit and what a wonderful exhibition.

It runs through December 30th, 2012. Be sure to visit if you are in the area. I know I'll be going back a few times in an attempt to take it all in! (Even the shadows the works cast on the walls are gorgeous.) 

Here's some video that gives you the sense of being in the same space with these wall hangings. It is not from the Denver show but was the best footage I could find to show the details of his work, from a recent show at the Akron Art Museum. Enjoy! 

Seeing possibilities... collecting collage ingredients

I'm often asked where the bits and pieces of my collages come from... I have a habit of looking at the negative spaces, the spaces BETWEEN and AROUND the featured items in a photograph. It's often there that I see the patterns, color gradations, and subtle imagery that I find most intriguing and useable.

The large photo above shows a recent photograph from the newspaper that had ingredient potential. (Caveat: It's very dangerous not to finish the paper before I get to it, if you want to be assured of reading the complete story!)

At left is a detail of the photo where I've indicated, with green outlines, the areas that I will rip out for future use.

I was recently explaining how I gather materials during a demonstration to a local art guild. Afterwards one fellow said, "You sure see things differently..." Yep, and I took that statement as a huge compliment!